
The Help
Kathryn StockettThree women in early 1960s Mississippi risk everything to write down what a town would rather leave unsaid.

The reporting of a Kansas murder, written with the pacing and interiority of a novel and the discipline of journalism.
Capote follows a killing in rural Kansas from the last ordinary evening of a family to the long procedural aftermath, reconstructing the lives of everyone the crime touched.
The book invented a form. It reads as narrative while insisting on the accuracy of reportage, and it still sets the standard our true crime readers measure everything against.
A dual-featured title on our shelf. Read it for the craft as much as the case, and notice how rarely the prose raises its voice.
“The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call out there.”
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“I closed it and sat still for ten minutes”
Every month I finish a book and immediately want to call the seven other people who read it with me. This one I could not talk about for a full day. The letters in chapter nineteen rearranged the whole novel behind me.

Three women in early 1960s Mississippi risk everything to write down what a town would rather leave unsaid.

A mother, three grown children, and a family meal that has never once been finished together.

Two couples, four decades, and a friendship that carries more weight than any of the marriages inside it.
“I picked this up because of the group read and it turned into the best reading month I have had all year. The characters kept surfacing while I was doing dishes, which is my only real test for a book.”
In Cold BloodRead all reviews